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A Very Nice Girl

A Novel

Audiobook
3 of 4 copies available
3 of 4 copies available

"Tender, devastating, witty. And deeply true. Sweetbitter meets Normal People."
—Meg Mason, author of Sorrow and Bliss

For readers of Sweetbitter and Luster, a razor-sharp debut novel about an ambitious young opera singer caught between devotion to her craft and an all-consuming affair with an older man

Anna knows she has talent, but she's always felt out of place in the world of opera. A first-year student at a prestigious London conservatoire, she lives in a grim series of rented rooms with her friend Laurie, a sharp-tongued waitress and aspiring writer. Her days are devoted to highly competitive auditions and long, straining rehearsals. At night, she sings jazz in an expensive bar, relying on her popularity with the inebriated businessmen to make rent and stay afloat alongside her wealthy peers.
It's there that Anna meets Max, a charismatic financier in the midst of a divorce who, at thirty-eight, is fourteen years Anna's senior. Reluctantly impressed by Max—his stillness, his careful detachment—Anna soon finds herself desperate to hold his attention. As winter pervades the city, Anna begins a dangerous oscillation between hard-won moments on stage, where she can zip herself into the skin of her characters, and nightly stays at Max's glass-walled flat. But as Anna's fledgling career begins to demand her undivided attention, so too does Max, a situation that dangerously compounds until Anna must decide who—or what—she wants.
Intoxicatingly propulsive and written with lacerating precision, Imogen Crimp's A Very Nice Girl is a clever, sexually charged portrait of a young woman on the teetering edge of adulthood. With heartrending authenticity and an arresting voice, it lays bare how we consciously shape our identities in the pursuit of power, desire, and a place to belong.
A Macmillan Audio production from Henry Holt and Company.

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    • Publisher's Weekly

      January 3, 2022
      Crimp’s modest debut follows a cash-strapped London opera student who gets in a bit too deep with an older man. Anna, 24, falls for 30-something Max after he chats her up at a bar. Though they keep the relationship casual at first, Anna begins to spend more time with the cagey Max, who works in finance and reveals little about himself other than the fact that he is separated from his wife. Soon, Max sets her up in an apartment of her own and gives her money so she can quit her side jobs, and she starts blowing off lessons and rehearsals to be at his beck and call. Anna continues to drift away from her art until an audition before a panel of creepy older men traumatizes her to the point of not being able to sing at all. Crimp layers her characters with personality and crafts smart moments of humanity and observation (“there was nowhere obvious for me to stand,” Anna narrates tellingly of an awkward audition), yet the story hinges on well-worn, predictable tropes of romance, dependency, and the struggling artist. As a result, it’s too easy to see where things are headed. Crimp’s characters, while memorable, cannot escape a garden-variety plot.

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  • English

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