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The Hermit of Eyton Forest

Audiobook
1 of 1 copy available
1 of 1 copy available
"Enchanting . . . medieval England comes marvelously alive." —Washington Post

The year is 1142, and all England is in the iron grip of civil war. And within the sheltered cloisters of the Benedictine Abbey of St. Peter and St. Paul, there begins a chain of events no less momentous than the political upheavals of the outside world.

First, there is the sad demise of Richard Ludel, Lord of Eaton, whose 10-year-old son and heir, also named Richard, is a pupil at the Abbey. The boy refuses to surrender his new powers to his formidable grandmother; supported by Abbot Radulfus, Richard defies the furious Dionysia.

A stranger to the region is the hermit Cuthred, who enjoys the protection of Lady Dionysia, and whose young companion, Hyacinth, befriends Richard. Despite his reputation for holiness, Cuthred’s arrival heralds a series of mishaps for the monks. When Richard disappears and a corpse is found in Eyton Forest, Brother Cadfael is once more forced to leave the tranquility of his herb garden and devote his knowledge of human nature to tracking down a ruthless murderer.

"A wonderful history lesson wrapped up neatly in a mystery and served with style and grace." —Cincinnati Post

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    • AudioFile Magazine
      For those of us who are used to Brother Cadfael read by Stephen Thorne and liking it that way, I can only say: Give this narrator a chance--you won't regret it. Roe Kendall brings a different depth to Brother Cadfael, a more measured tread, and a more considered rhythm. The year is 1142, and England is caught up in a civil war as two factions battle for the Crown, and turmoil eventually spills over into quiet and happy Shrewsbury. When people begin to die shortly after the appearance of a strange holy man, the Hermit Cuthred, Cadfael must work fast to keep his quiet hamlet safe. Ellis Peters does her usual neat job of history-cum-entertainment, and Roe Kendall does an equally neat job of delivery. Her take on Hugh, the sheriff, is a new one as well, and overall her presentation has a lyric, musical quality that is quite charming. D.G. (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      March 1, 1988
      Brother Cadfael, the 11th century Benedictine monk who functions admirably as healer, matchmaker and sleuth, marshals his considerable talents to solve two murders in this well-plotted but somewhat slick mystery. Ten-year-old Richard Ludel, a bright and independent student entrusted to the abbey's care by his father, has just inherited a large estate upon his father's death. His formidable grandmother, Dame Dionisia, insists that the unwilling boy be returned home and marry the heiress to the adjoining property. Two mysterious tenants on Dame Dionisia's land, a devout hermit, Cuthred, and his young aid, Hyacinth, are in league wtih the domineering dowager, who is unaware that Hyacinth is actually a runaway villein and that Cuthred's background is particularly heinous. When Richard disappears from the abbey, Dame Dionisia is immediately suspect. Other ominous events follow rapidly: an inquisitive nobleman is murdered in the forest; Hyacinth vanishes; and Cuthred is stabbed to death. Brother Cadfael must summon all his talents to solve the crimes, simultaneously playing matchmaker, doctor and high political games. Unfortunately, most of the characters are glibly superficial: lovers are fair and pure; villains cruel and swarthy. In his 14th appearance, however, Brother Cadfael remains as shrewd and unpredictable as ever.

    • Library Journal

      September 15, 2001
      Little peace is to be found in England in the year 1142 as civil war continues to rage. The effects of the violence reach even into the cloistered world of the Benedictine Abbey of St. Peter and St. Paul. Richard Ludel, the father of one of the abbey's students, has recently died of wounds received in battle. His ten-year-old son, also called Richard, has now become Lord of Eaton. Richard's formidable grandmother, Dionysia, wants the boy released from the abbey's custody, where his father placed him, into her own. She has contracted a child marriage for young Richard that will gain the Ludels control over a large neighboring estate. No one is exactly what they seem, and more than one character has a past that bears closer examination. Add to this several subplots and a large amount of political intrigue, and you have a great story. Although Brother Cadfael is more an observer than an actor in this work, bodies and red herrings pile up in a satisfying way before all the puzzles are solved. In a departure from most of the Cadfael books, the reader here is female, Roe Kendall. The gender change does not diminish the listener's pleasure; Kendall has a fine touch with accents, and it is easy to tell the characters apart. Recommended for public library collections where works by Peters and historical mysteries are popular. Barbara Rhodes, Northeast Texas Lib. Syst., Garland

      Copyright 2001 Library Journal, LLC Used with permission.

    • AudioFile Magazine
      A funeral, a runaway villain, a murder, and an abduction give Brother Cadfael plenty of opportunities to puzzle his way through combined events and reach a satisfactory conclusion. Patrick Tull easily transports us back to the twelfth century and Shrewsbury Abbey, but this is a story that needs an attentive listener. Because of the voices and different accents used by Tull, it's easy to miss some of the dialogue, especially Cadfael's Welsh overtones. The language used is appropriate to the time, and descriptions of the area are lyrical and evocative. Once one becomes accustomed to the accents, the book is a delight! D.M.W. (c) AudioFile 2001, Portland, Maine

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